2019 closes out an uncommonly strong decade for horror movies with some potential future classics of its own, and we took all of the Fresh and Certified Fresh hits with critics to give you the full list of the 32 Best Horror Movies of 2019. Whether on the crashing-waves shore, in bed, in Marianna’s makeshift studio, or in the home of a woman performing an abortion for Héloïse’s servant Sophie (Luana Bajrami), it’s a film that assumes—and is fundamentally about—the complex power of the female gaze. His quest is fraught with literal danger and, also, emotional, psychological and spiritual peril, as Roy searches the heavens for the indifferent father that abandoned him. Movies and myths collide, both mirthfully and mournful, as Sam strives to uncover the knotty conspiracy-theory connections linking everything and everyone. 83 Metascore. Nick Schager is a NYC-area film critic and culture writer with twenty years of professional experience writing about all the movies you love, and countless others that you don’t. A complete list of Action movies in 2019. Mangold’s story is about the might of American ingenuity and daring (versus sleek Italian arrogance), and a celebration of non-conformity in the face of (unbeatable) corporate pressure. We may earn a commission from these links. Segueing between time periods, it’s a spookshow study of the grip that the past holds over the present, the vital – and often corrosive – means by which memories affect our worldview and sense of self, and a touching ode to the power of togetherness. Apollo 11 is a cinematic space event film fifty years in the making. With long hair and a fanny pack permanently affixed around his waist, McConaughey is a magisterial stoner hedonist, and if his rollicking escapades aren’t enough to deliver a potent contact high, Korine and cinematographer Benoît Debie’s rapturously colorful portrait of Florida’s posh and downtrodden milieus more than do the delirious trick. Jimmie’s awkward aspiring-playwright pal Mont (Jonathan Majors) goes along with his plan to move into the abode once the current tenants are forced to leave (over an estate dispute) – an act of squatting that doubles as an attempt at reclaiming a cherished past. Through it all, Keanu Reeves strikes a dashing pose as the increasingly harried (and bloodied) Wick, his trademark designer suits and walk-softly-and-carry-a-big-gun demeanor once again employed to expert effect in a series that continues, like Reeves himself, to improve with age. Overall Rating: 3.6 out of 4 stars. In every category, you’ll have no trouble finding many more potential nominees than there are slots to fill for a given category. Kaili Blues director Bi Gan concludes his sophomore feature with a 56-minute single-take sequence shot in 3D, his camera trailing alongside (and above, and behind) his protagonist, Luo Hongwu (Huang Jue), as he navigates a rural dreamscape that he’s travelled to while sitting in a movie theater. I Lost My Body has a horror movie conceit, but the true terror of Jérémy Clapin’s ingenious animated film is of an existential nature. Still, Shadow is an aesthetic wonder, drenched in ash-gray hues and wielding serpentine cinematography to enrich its tale about a military commander’s “shadow” (Deng Chao) – i.e. Their ensuing custody fight centers on which coast their kid will call home, and Baumbach’s sharp writing and visuals—full of close-ups of pain and fury, and remote compositions that separate and isolate his adrift protagonists—locates the way in which that battle inevitably warps that which was once good, leaving only resentment and ruin in its wake. Jamie Bell gives the performance of his career as Bryon “Babs” Widner, a face-tattooed neo-Nazi contending with his chosen white-power path, in Oscar-winning director Guy Nattiv’s based-on-real-events tale of the origins of hate – and the potential means of reversing it. Epitomized by the yin-yang symbol on which many battles are fought, dualities (masculine and feminine, light and dark, real and imitation, mortal and ghostly) are rampant throughout. Roiling passions lurk beneath the painterly facades of Portrait of a Lady on Fire, and director Céline Sciamma demands that one inspect her frame—and her characters’ faces—to locate them. Obviously, there are a lot of acclaimed films and awards contenders not mentioned on the list, because I’ve simply not seen many of them yet. Brought to life by Pitt with a wellspring of bubbling-beneath-the-surface pain, yearning and hope, Roy is a man whose steady pulse rate is emblematic of his sorrowful, walled-off remoteness. Sold at a department store by a saleswoman (Fatma Mohamed) with a nefarious true identity, the satanically erotic garment preys upon the sexually repressed and/or unfulfilled, all while fluttering and hovering about like a sinister specter. Led by his own interior-thought narration, Roy’s saga is at once awe-inspiring and poignant, intimate and majestic. And with awards season in full swing, stop by our leaderboard to see who’s racking up the most gold. Scored to disquieting electronic noises and plaintive orchestral tunes, Landes’ spellbinding feature assumes the quality of a drug trip, evoking issues of alienation, control, sex, fear and loyalty through its young male and female protagonists’ ordeal. Opinions expressed by Forbes Contributors are their own. Here is a list of movies I sadly have not seen yet, but which are high on my “watch soon” list, and I’m sure several of them would have wound up on my “Best of 2019” list if I’d seen them in time... And that’s it for me, dear readers! From Super Mario Bros., new-age cultists, pirates and bomb-shelter tombs, to masturbatory porn patterns, dog killers, comic books (Spider-Man, wink wink) and song lyrics scribbled on pizza boxes, secret world-governing ciphers are ubiquitous. standouts. 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